SECOLI FASHION SHOW 2023
where here
OBSERVE, REFLECT, CREATE as a process that leads thought into an open, deep, and shared interpretative dimension that helps to stop LOOKING and start SEEING.
Through the gaze, one reaches a personal, subjective condition. OBSERVING is like SEEING; “observing slowly” leads to noticing details initially ignored that change the conception and perception of what is observed; what is noticed “leads outward,” pushing elsewhere and helping to elaborate projected thought; what is internalized through the gaze beyond is pure creation.
BEYOND SENSATION
Beyond sensation to reach the recognizable objective by immersing oneself in a paradoxical aesthetic that leads, through an alienating visual sensation, to the unusual. The objective reality assumes an unconventional concept, becoming at times disconnected, incomprehensible.
BEYOND THE EMOTIONAL
From a concentration of sensations, different emotions are perceived, unfiltered, leading to a gradual extrapolation of elements that are internalized, unconsciously. The elaboration of the context now appears clear. There is an evolution of the emotional filter; the gaze is beyond, the cycle is continuous: emotions regenerate, recharging with new strength evolving beyond the emotional.
BEYOND THE MOMENT
Beyond the moment, giving time to the instant. The atmosphere is dynamic; everything moves rapidly, in a single moment. The figure is not stable; subjects multiply, following one another in space. In a fraction of time, the action freezes, and the environment is static. The moment continues; motion resumes gently before picking up speed. Beyond the last moment.
BEYOND THE PLACE
Looking at everyday life through free creativity. The place is the result of an individual action where a bizarre reality is a projection of the mind. “Make Space for Me” to give life to a new, free place. Beyond borders, the different is welcomed, and space becomes sharing: “The end is always a surprise.”
BEYOND MEANING
The role of meaning is correlated to objective subjects charged with emphasis and a mix of perceptions through excess and the opposite. The beyond takes shape in a re-signification that maintains the essence of the subject but changes its function, context, and object.
BEYOND EVIDENCE
Going beyond the obvious to overcome, through persuasion, the objective and its perception. It is through the gaze that one begins to see and enters into details, going beyond ; it is through their interpretation that a role not universally recognized, but attributed to the evidence, is transferred to the subject.
