{"id":59671,"date":"2026-04-28T17:27:39","date_gmt":"2026-04-28T15:27:39","guid":{"rendered":"https:\/\/secoli.com\/?page_id=59671"},"modified":"2026-04-29T12:52:03","modified_gmt":"2026-04-29T10:52:03","slug":"sfs2026","status":"publish","type":"page","link":"https:\/\/secoli.com\/en\/events\/secoli-fashion-show\/sfs2026\/","title":{"rendered":"SFS2026"},"content":{"rendered":"\t\t
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SECOLI FASHION SHOW 2026 | MENTAL SPACES<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Creating an idea by following a path from concrete to abstract thought, then returning to reality transformed by experience. It is a creative process of interpretation and experimentation that generates a living space, capable of preserving the past, present, and future<\/strong>: a space for expression, action, and freedom, understood not only as a method but as a mental attitude.<\/span><\/p>

This path leads to “divergent thinking,” defined by the American psychologist J. P. Guilford<\/strong>: a fundamental dimension of creativity that explores multiple possibilities and generates innovative solutions by applying “Design Thinking,” an approach that constructs and deconstructs, transcends patterns, and enhances emotional meaning as the key to interpreting innovation<\/strong>. In this vision, creation becomes not just an object, but a process, gesture, intention, transformation.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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CONCEPTUAL EXPERIMENTATION<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Consumption is uninterrupted, and the surface transforms into a place characterized by incessant metamorphosis.<\/strong> From this transformation emerges a new form that demands to be observed in its essence, revealing its traces. Experimentation arises from reevaluation: what has been removed is recomposed in a new order, taking on an unexpected meaning.<\/strong> Tension creates a fracture between the eye and perception: what we see no longer coincides with what we thought we knew, and in this distance, meaning is renewed.<\/span><\/p>

Giving form is not simply giving a shape to an object, but making visible the time it has passed through, the consumption\u00a0that has transformed it, and the relationship that brings it to life.<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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ETHICAL EXPERIMENTATION<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Ethical experimentation arises from the desire to go beyond what society already considers right, presenting itself as an act that questions established values in order to propose new, more authentic ones, while demonstrating their inherent instability.<\/strong> Those who engage in ethical experimentation choose to oppose stability, thereby making it meaningful.<\/span><\/p>

The aim is to shake consciences and look beyond, toward a freer ideal of beauty, carrying out a radical act of verification.<\/strong> Through provocation, the act of surpassing limits becomes a critical tool, revealing that living ethics is made up of continuous questioning.<\/strong> At the end of the process, what remains is a new awareness: art becomes an essential instrument for understanding humanity and society.<\/strong><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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MATERIAL EXPERIMENTATION<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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A constant transformation of reality and matter in a dynamic equilibrium. Matter appears alive and pulsating: a vibrational field characterized by rhythm, representing the very essence of the material world.<\/strong> The vibrational field presents itself as an energetic space, a subtle dimension of matter itself, invisible yet real, containing a fertile and intermediate space<\/strong>, the interstice where anything can happen and where possibilities and potential are generated, revealing their unpredictable nature.<\/span><\/p>

This is where the mirror function of the new matter arises, capable of reflecting a transformed perception.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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EXPERIMENTATION IN COLLABORATION <\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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The carrying out an action capable of shaping, molding, and modeling reality.<\/strong> Today, performative acts do not produce reality; they simulate it, repeating it until it becomes saturated, sterile, and devoid of consequences. We live immersed in a continuous staging that does not open up possibilities but consumes them. The performative act no longer impacts reality; every emotion is filtered, distilled, refined until it becomes pure form.<\/strong> A rite of resignation that transforms into an act of rebirth, becoming a place of experimentation, a concrete experience of the possible. Only in this way can performance return to being an essential gesture, capable of recovering its original strength.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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SOCIAL EXPERIMENTATION <\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Threshold societies are communities that live suspended between a past order and a new undefined configuration. It is the collective threshold that projects the individual into a state of non-place, non-identity: here, the individual is forced to redefine themselves. Loss is not absence, but a field of developable social infinity: the person is an integral part of a system in which meaning is collectively constructed.<\/strong> Diasporic communities become laboratories of social experimentation, from which new ways of communicating emerge: society acquires the capacity for renewal, remaining adaptive and alive; loss is transformed into a collective generative force.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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VISUAL EXPERIMENTATION <\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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The space where seeing becomes thinking and thinking becomes gestures<\/strong>: a place that thinks, breathes, fills and empties, gathering voices, bodies, and silences that imprint themselves on the memory like living signs. The gaze passes through, touches, constructs; the mind observes, understands, reformulates, and reconsiders, each time differently.<\/strong> It is in this continuous passage that vision becomes thought and thought takes shape. Visions multiply, contaminate, and intertwine. Each eye constructs its own reality, and in this multiplicity, every perception is a creation.<\/strong> Thinking with the gaze means allowing the mind to pass through vision. In its movement, reality shatters and recomposes itself, perception becomes experience.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Editions<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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